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"Gie Me the Master's Apron" Robert
Burns and Freemasonry |
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While this image may not be as comfortable with many as the love-struck yeoman bard is, Burns echoed the sentiments of many of his day, calling for "liberty, fraternity and equality", and speaking out against the excesses of the secular, as well as religious establishment. Most certainly, Burns's commitment to the ideals of the Enlightenment came from his membership in the Masonic Lodge, much praised and damned for it's equality, both in political and religious matters, among its members. But besides these lofty ideals, the lodge also appealed to Burns for other reasons; the camaraderie and spirit of brotherhood that prevailed in the lodge room and the charity towards the widow and orphan. According to William L. Fox in "The Near Miss of Robert Burns", "He found in the experience [of being a Freemason] something unlike the political and religious institutions that had kept his father in a state of perpetual frustration"(p.7). For Burns, Freemasonry was one of the cures for his society's numerous social ills. But before examining Burns's Masonic career, let me first present a very short general history of his life. Born on 25th January 1759, in the parish of Alloway, Ayrshire, Burns was the eldest of seven children to William Burness and Agnes Brown (or Broun). Well educated in a variety of subjects, from Scottish history and folklore to literature, Burns was forced to assist his father in working on the family farm, and took over at 25 when his father died in 1784 (McLeod, p. 162; Boot). By 28, Burns was beginning to be well known in his literary career; In 1786 he published "Poems: Chiefly in Scottish Dialect", which was expanded in 1787 and again in 1793 (Ibid.). Beginning in 1786, Burns would spend much time in Edinburgh among the elite and intellectuals of Scottish society, although Burns felt that they were only patronizing him because his soul of literary genius lied within the body of a country bumpkin. He returned to Ayrshire and unsuccessfully tried farming; in 1791 he became an exciseman, or customs agent, and joined the local yeomanry unit, the Dumfriesshire Volunteers. However, the physical and mental toll of his hard life, plus growing financial burdens, weakened him, and in 1796, Burns died of rheumatic heart disease, caused by his lack of a healthy diet in his younger years (Fox, p.7, McLeod, p.171). |
![]() Besides his rather libertine actions with women, Burns was also a political radical, and a rather strange mix at that. From reading Scottish history, Burns became an ardent nationalist, writing many romantic ballads about Scottish attempts to secure their independence from the English, from Robert the Bruce to Bonny Prince Charlie. This can be seen in poems like "Scots wha Hae", "Charlie is My Darling", "The White Cockade", and many others.
Robert Burns
in Lochly was passed and raised, Henry Cowan (ironic name!) being Master,
James Humphrey Senr. Warden, and Alexr. Smith Junr. Do., Robt. Wodrow
Secy. and James Manson Treasurer, and John Tannock Taylor and others of
the brethren being present"(119). Burns went with Lodge St. James, and on 27 July 1784, he was elected "Depute Master" of the lodge at the ripe young age of 25. Sir John Witefoord was the Worshipful Master of the lodge, but it was somewhat of an honourary position, and the Depute Master in reality was in charge. Burns was faithful to the lodge, attending regularly and 3 minutes were in his handwriting; 29 minutes were signed by him and also show when he changed his name; originally, his father spelled the last name "Burness"; before 1786, Robert spelled it the same way. On 1 March 1786, Robert's brother Gilbert received his 2nd and 3rd degrees; both Gilbert and Robert signed their last names as "Burns"(Mackay, p.121).
However, Burns decided to stay in Scotland when in July 1786, his Kilmarnock edition of poems was published, by a brother Freemason, and 350 brethren of St.John's Lodge, Kilmarnock, subscribed to a copy. In October he was made an honourary member of Lodge Kilmarnock Kilwinning St. John, and wrote "Masonic Song" in honour of the lodge and its Worshipful Master, Major William Parker (McLeod, p.169).
The Right Worshipful Master, having observed that Brother Burns was present in the lodge, who is well known as a great poetic writer, and for a late publication of his works, which have been universally commended, submitted that he should be assumed a [honourary] member of this lodge, which was unanimously agreed to, and he was assumed accordingly (McLeod, pp.169-171, Mackay, pp. 273-274). Tradition has it the Burns was installed as Poet Laureate at the March meeting of the lodge (as many paintings show), but lodge records disprove this, although some maintain that faulty records and Robert's modesty are responsible for it being left out of the lodge minutes and Robert's letters; Mackay doubts that Burns would have purposely left out such a high accolade to his work as a poet (McLeod, p.170, Mackay, p.274). When the first Edinburgh Edition of his poems was released in April 1787, and again, many subscribers were members of Canongate, including the publisher, printer and artist who supplied the frontispiece for the edition. Like his Kilmarnock edition, Freemasons assisted their brother and ultimately gave the world the gift of Burns's poetry.
Freemasonry's
influence on Burns's poetry is quite visible. Besides the aforementioned
works which specifically deal with the craft, a number of poems have a
strong dose of Masonic philosophy and ideals in them. Fox mentions the
poem "Libel Summons", which finds two brothers in a court docket,
one for hypocrisy and lying, the other for the neglect of his duties.
With these two brothers for examples, Burns reminds any brother reading
the work that the Masonic ideals of brotherly love, relief and truth do
not stop at the lodge-hall door, but should be shown to any person, regardless
of Masonic affiliation (Fox, P.10).
His Masonic poems show his great love and admiration for the craft and it's ideals, although he did hold his brothers to a high standard that some might argue that he did not keep himself. But whatever your opinions of Burns's passions, one must argue that Burns had the good of the fraternity in his heart. one matter that deeply troubled him was the use of the Lodge treasury for personal loans by the members. Burns viewed the monies not for the members personal use, but for times of "distress" or "old age"; coming to the relief of a brother was far more important than personal whims, which is no surprise, given Burns's childhood and and ever-changing financial situation (Fox, p.9). From what we have heard, there is no doubt that Burns had a very rough life. Burns found no comfort for his woes in the church or his society, but Freemasonry remained one of the most important aspects of his life. Even during the time when all others had abandoned and condemned him, the lodge still welcomed him as a brother, and he never forgot it. The "Farewell" to his brothers as St. James Lodge expresses a very sincere sadness in leaving Scotland and his brothers for Jamaica, and many have speculated that the support of his lodge brothers encouraged him to stay and produce some of his greatest works. Freemasonry provided Burns with an "alternative" form of patronage for his works free from aristocratic influence and restrictions imposed by the patron on the artist (Roberts, p. 333).
For [Burns], "Auld Lang Syne" is a concrete expression of his love of mankind and his ideal of international brotherhood. What a fitting tribute that Burns's song of International Brotherhood is sung the world over in the spirit that he wrote it. Also fitting is the fact that it is the last song in the movie "It's a Wonderful Life", the story of a man who gave up his personal dreams for others, and sees all of his friends come to his aid when he is in trouble. Burns and the character George Bailey share one thing in common, in that, when all seemed lost, friends rallied and aided in his relief. George Bailey's guardian angel Clarence states "No man is a failure when he has friends (which I might paraphrase 'Brothers'); a sentiment that would be heartily agreed with by Brother Robert Burns. Article contributed
by Tod Wilkinson*
Boot, Jeremy.
Robert Burns, Poet A Celebration. Daiches,
David. Robert Burns and his world. New York: Viking Fox, William
L. "The Near Miss of Robert Burns: Why the Caledonian Poet was Grand Lodge
of Scotland. "Famous Scottish Freemasons". Mackay, James.
Burns: A Biograhpy of Robert Burns. Edinburgh: McLeod, Wallace.
"Robert Burns" in The Quest For Light. Tony Pope,
ed.---. "The universality of Freemasonry" in The Quest For Light. Paterson,
T.G. "Auld Lang Syne and Brother Robert Burns" in The Scottish
Rite Journal Roberts,
Marie. "Burns and the Masonic Enlightenment" in Aberdeen and
the Enlightenment. |
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