"Gie Me the Master's Apron" Robert
Burns and Freemasonry |
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While this image may not be as comfortable with many as the love-struck yeoman bard is, Burns echoed the sentiments of many of his day, calling for "liberty, fraternity and equality", and speaking out against the excesses of the secular, as well as religious establishment. Most certainly, Burns's commitment to the ideals of the Enlightenment came from his membership in the Masonic Lodge, much praised and damned for it's equality, both in political and religious matters, among its members. But besides these lofty ideals, the lodge also appealed to Burns for other reasons; the camaraderie and spirit of brotherhood that prevailed in the lodge room and the charity towards the widow and orphan. According to William L. Fox in "The Near Miss of Robert Burns", "He found in the experience [of being a Freemason] something unlike the political and religious institutions that had kept his father in a state of perpetual frustration"(p.7). For Burns, Freemasonry was one of the cures for his society's numerous social ills. But before examining Burns's Masonic career, let me first present a very short general history of his life. Born on 25th January 1759, in the parish of Alloway, Ayrshire, Burns was the eldest of seven children to William Burness and Agnes Brown (or Broun). Well educated in a variety of subjects, from Scottish history and folklore to literature, Burns was forced to assist his father in working on the family farm, and took over at 25 when his father died in 1784 (McLeod, p. 162; Boot). By 28, Burns was beginning to be well known in his literary career; In 1786 he published "Poems: Chiefly in Scottish Dialect", which was expanded in 1787 and again in 1793 (Ibid.). Beginning in 1786, Burns would spend much time in Edinburgh among the elite and intellectuals of Scottish society, although Burns felt that they were only patronizing him because his soul of literary genius lied within the body of a country bumpkin. He returned to Ayrshire and unsuccessfully tried farming; in 1791 he became an exciseman, or customs agent, and joined the local yeomanry unit, the Dumfriesshire Volunteers. However, the physical and mental toll of his hard life, plus growing financial burdens, weakened him, and in 1796, Burns died of rheumatic heart disease, caused by his lack of a healthy diet in his younger years (Fox, p.7, McLeod, p.171). |
However,
physical and financial matters were not the only things that troubled Robert;
The Kirk of Scotland (The Presbyterian Church) and it's opposition to his
lifestyle was another. In particular, Burns's sexual escapades caused much
hostility between him and the church. Burns fathered a number of illegitimate
children, including one by his future wife, Jean Armour, the daughter of
a Master Mason. Burns wanted to marry Jean; her father refused and Burns
and Jean appeared for penance in church to "receive public reproof
for the sin of fornication"(Dachies, p.36; Boot; McLeod, p.165). Burns
would continue his rampant sexual activities right up until several years
before his death. He never stopped his literary war against Scottish Calvinism,
and lampooned it in a number of poems, including "Holy Willie's Prayer",
"The Holy Fair", and others.
Besides his rather libertine actions with women, Burns was also a political radical, and a rather strange mix at that. From reading Scottish history, Burns became an ardent nationalist, writing many romantic ballads about Scottish attempts to secure their independence from the English, from Robert the Bruce to Bonny Prince Charlie. This can be seen in poems like "Scots wha Hae", "Charlie is My Darling", "The White Cockade", and many others. Burns
combined his Jacobite sympathies of the past with Jacobin politics of
the present. He vocally supported the French and American Revolutions,
which aroused suspicion of his loyalties, especially when in the service
of His Majesty's government as an exciseman, although Burns did recant
his French tendencies when Britain and France went to war in 1792 (Dachies,
p.99). And while Burns may have been inspired by the French Revolution,
his involvement in Freemasonry certainly played a large part in his opinions
in favour of both secular and religious equity.
Robert Burns was initiated an Entered Apprentice in Lodge St. David, Tarbolton on 4 July (ironic date) 1781, at the age of 23. His initiation fee was 12s 6d, and paid on the same date. Like many other times in his life, Burns came into the lodge admist a controversy. Originally, there had been only one lodge in Tarbolton, chartered in 1771 from the Kilwinning Lodge, which is said to be the oldest lodges in the world (again, another story worth telling, yet for another time). In 1773, a group broke away from the lodge, forming Lodge St. David No. 174, and the original lodge became St. James Tarbolton Kilwinning No. 178, only to be reunited in 1781, 9 days before Burns's first degree. However, while St. James was clearly the older of the two lodges, St. David's name was used, and the seeds were sown for further dissension. Burns in the meantime was passed to the degree of fellowcraft, and raised to the degree of Master Mason on lst October 1781. The Lodge record book, according to James Mackay's "Burns" reads as follows: Robert Burns
in Lochly was passed and raised, Henry Cowan (ironic name!) being Master,
James Humphrey Senr. Warden, and Alexr. Smith Junr. Do., Robt. Wodrow
Secy. and James Manson Treasurer, and John Tannock Taylor and others of
the brethren being present"(119). Burns went with Lodge St. James, and on 27 July 1784, he was elected "Depute Master" of the lodge at the ripe young age of 25. Sir John Witefoord was the Worshipful Master of the lodge, but it was somewhat of an honourary position, and the Depute Master in reality was in charge. Burns was faithful to the lodge, attending regularly and 3 minutes were in his handwriting; 29 minutes were signed by him and also show when he changed his name; originally, his father spelled the last name "Burness"; before 1786, Robert spelled it the same way. On 1 March 1786, Robert's brother Gilbert received his 2nd and 3rd degrees; both Gilbert and Robert signed their last names as "Burns"(Mackay, p.121). 1786 was not a happy year for Robert financially or emotionally; Denied his love Jean, Burns had sought comfort with Mary Campbell (the famous "Highland Mary"), who reportedly bore Burns a child and died later that year from Typhus. Burns, in grief over the loss of two women, as well as facing child support payments for Jean's unborn child, decided to flee to Jamaica to avoid grief and an angry father (and brother!). Tradition says that Burns recited his "Farewell to the Brethren of St. James Lodge, Tarbolton" on the night of 23rd June, at the stated meeting of the lodge, in anticipation of his voyage to the West Indies. However, Burns decided to stay in Scotland when in July 1786, his Kilmarnock edition of poems was published, by a brother Freemason, and 350 brethren of St.John's Lodge, Kilmarnock, subscribed to a copy. In October he was made an honourary member of Lodge Kilmarnock Kilwinning St. John, and wrote "Masonic Song" in honour of the lodge and its Worshipful Master, Major William Parker (McLeod, p.169). Burns's
rise in popularity for his poems also contributed to his rise in Freemasonry.
At a meeting of Lodge St. Andrew in Edinburgh in 1787, at which the Grand
Master and Grand Lodge of Scotland was present, Burns was toasted by the
Worshipful Grand Master, Most The Right Worshipful Master, having observed that Brother Burns was present in the lodge, who is well known as a great poetic writer, and for a late publication of his works, which have been universally commended, submitted that he should be assumed a [honourary] member of this lodge, which was unanimously agreed to, and he was assumed accordingly (McLeod, pp.169-171, Mackay, pp. 273-274). Tradition has it the Burns was installed as Poet Laureate at the March meeting of the lodge (as many paintings show), but lodge records disprove this, although some maintain that faulty records and Robert's modesty are responsible for it being left out of the lodge minutes and Robert's letters; Mackay doubts that Burns would have purposely left out such a high accolade to his work as a poet (McLeod, p.170, Mackay, p.274). When the first Edinburgh Edition of his poems was released in April 1787, and again, many subscribers were members of Canongate, including the publisher, printer and artist who supplied the frontispiece for the edition. Like his Kilmarnock edition, Freemasons assisted their brother and ultimately gave the world the gift of Burns's poetry. Burns was exalted a companion in the Holy Royal Arch Degree in May 1787 at St. Ebbe's Lodge, Eyemouth. The companions unanimously agreed to admit Burns without paying the necessary fees, as they were greatly honoured to have such a great poet and man like Burns as part of their chapter (Mackay, p.311). When Burns moved to Dumfries, he joined Lodge St. Andrew on St. John's Day, 1788, and once again, showed a great enthusiasm for his lodge. In 1792, he was elected Senior Warden and served a one-year term. This was the last Masonic office he held before his death in 1796. He was 37 years old.
Freemasonry's
influence on Burns's poetry is quite visible. Besides the aforementioned
works which specifically deal with the craft, a number of poems have a
strong dose of Masonic philosophy and ideals in them. Fox mentions the
poem "Libel Summons", which finds two brothers in a court docket,
one for hypocrisy and lying, the other for the neglect of his duties.
With these two brothers for examples, Burns reminds any brother reading
the work that the Masonic ideals of brotherly love, relief and truth do
not stop at the lodge-hall door, but should be shown to any person, regardless
of Masonic affiliation (Fox, P.10). And yet a third influence might be seem with Burns's works dealing with Calvinism and the Kirk of Scotland. Burns had always been on the side of liberal thinking within the Kirk, and detested the "Auld Lichts" or "Old Light" Presbyterianism with it's conservative and puritanical outlook on life. While English and Scottish Freemasonry has always denied the Freemasonry is not a religion, and that good masons should also be good church-goers, certainly many conservatives in the Kirk viewed the lodge, with its ideas of a non-denominational deity and respecting the rights of all humans to worship their God as they saw fit as a danger to their established religion (Roberts, p. 333). For Burns, Masonry was everything that the Kirk was not. His Masonic poems show his great love and admiration for the craft and it's ideals, although he did hold his brothers to a high standard that some might argue that he did not keep himself. But whatever your opinions of Burns's passions, one must argue that Burns had the good of the fraternity in his heart. one matter that deeply troubled him was the use of the Lodge treasury for personal loans by the members. Burns viewed the monies not for the members personal use, but for times of "distress" or "old age"; coming to the relief of a brother was far more important than personal whims, which is no surprise, given Burns's childhood and and ever-changing financial situation (Fox, p.9). From what we have heard, there is no doubt that Burns had a very rough life. Burns found no comfort for his woes in the church or his society, but Freemasonry remained one of the most important aspects of his life. Even during the time when all others had abandoned and condemned him, the lodge still welcomed him as a brother, and he never forgot it. The "Farewell" to his brothers as St. James Lodge expresses a very sincere sadness in leaving Scotland and his brothers for Jamaica, and many have speculated that the support of his lodge brothers encouraged him to stay and produce some of his greatest works. Freemasonry provided Burns with an "alternative" form of patronage for his works free from aristocratic influence and restrictions imposed by the patron on the artist (Roberts, p. 333). Above all else, Freemasonry's spirit of Brotherhood had a special place in Burns's heart. Roberts states that "For Burns, Freemasonry was a compound of mysticism and conviviality" (p. 335). This attitude is found in one of his most famous works, "Auld Lang Syne", a song that millions of people around the world know and love. We hear it at New Years and our moved by its message of old friends reminiscing about days past. T.G. Paterson, in "Auld Lang Syne and Brother Robert Burns" says: For [Burns], "Auld Lang Syne" is a concrete expression of his love of mankind and his ideal of international brotherhood. What a fitting tribute that Burns's song of International Brotherhood is sung the world over in the spirit that he wrote it. Also fitting is the fact that it is the last song in the movie "It's a Wonderful Life", the story of a man who gave up his personal dreams for others, and sees all of his friends come to his aid when he is in trouble. Burns and the character George Bailey share one thing in common, in that, when all seemed lost, friends rallied and aided in his relief. George Bailey's guardian angel Clarence states "No man is a failure when he has friends (which I might paraphrase 'Brothers'); a sentiment that would be heartily agreed with by Brother Robert Burns. Article contributed
by Tod Wilkinson*
Boot, Jeremy.
Robert Burns, Poet A Celebration. Daiches,
David. Robert Burns and his world. New York: Viking Fox, William
L. "The Near Miss of Robert Burns: Why the Caledonian Poet was Grand Lodge
of Scotland. "Famous Scottish Freemasons". Mackay, James.
Burns: A Biograhpy of Robert Burns. Edinburgh: McLeod, Wallace.
"Robert Burns" in The Quest For Light. Tony Pope,
ed.---. "The universality of Freemasonry" in The Quest For Light. Paterson,
T.G. "Auld Lang Syne and Brother Robert Burns" in The Scottish
Rite Journal Roberts,
Marie. "Burns and the Masonic Enlightenment" in Aberdeen and
the Enlightenment. |
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